Women and the Starry Night
Central to the piece is Wilma Pistorius' semi-interactive Secret Compartment (2022), made for toy pianos and music boxes. The work opens a playful ceremony of chance in which the audience and musicians together determine the direction of the music.
Around this center, a multifaceted universe of female perspectives and nocturnal resonances unfolds. Pistorius's cello works—the introspective Intermezzo and Parts II & III of ADA , inspired by Ada Lovelace, pioneer of computer programming and unexpected ancestor of contemporary space technology—form a lyrical connection between human thought and the cosmos.
Vanessa Lann's Seasons in the Glass Garden (two parts) illuminates a fragile, shimmering micro-universe, and Anne Veinberg's Untitled offers a moment of improvisatory clarity born of the present. Finally, Takemitsu's dreamy Orion is a soft shaft of light that opens up to the cosmos.