Ika Schwander - è vero, è vero, è vero
Deze performance in Frascati is geïnspireerd op het tijdloze verhaal van Judith en Holofernes en op Artemisia Gentileschi's schilderij, waarin het hoofd van haar verkrachter wordt afgebeeld als de gedode Holofernes. Terwijl Gentileschi het hoofd van haar verkrachter symbolisch afhakte in haar schilderij, draagt regisseur Ika Schwander het tussen haar benen. è vero è vero è vero toont de nasleep van seksueel geweld en laat de tijdloosheid van pijn en verzet zien.
Ika Schwander - è vero, è vero, è vero
è vero, è vero, è vero
è vero, è vero, è vero (vertaald: ‘het is waar het is waar het is waar’) waren de woorden die de 17-jarige schilderes Artemisia Gentileschi in 1612 uitsprak tijdens het proces tegen Agostino Tassi, de man die haar verkrachtte.
"I had three options: wife, mother or nun. But I wanted some epic use for my excellent body. Some heroism. So instead I became a murderer. I killed a man and left his body in his bed. I only took his head."
"I said goodbye to his army
goodbye
and I left
And now I am returning home with his head between my legs
There is no better place for him to be than between my legs
This is home I said to him
This is my mouth
This is my nose
This is my knee
This is the door
And this is the place where you ought to be
If I would be Judit in this soft and fragile century:
This is the way I would have looked when I returned home
The way I would have danced while returning home
The way I would have closed my eyes
This is what love did to me."
Ika Schwander - è vero, è vero, è vero
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