Surreal Science
Magnified paper mache flowers, velvet mushrooms, lifelike glass snails: collector Joris Loudon is fascinated by the beauty of 19th-century scientific objects of study. 250 objects from his collection can be seen in the Surreal Science – Chamber of Wonder of Art and Science exhibition. The Italian artist Salvatore Arancio detached them from their original function as study models and presents them as a contemporary art installation with sound, light, video and his ceramic sculptures.
Surreal Science
Glass flowers
Joris Loudon (New York, 1942) became enchanted by scientific objects when he saw the beautiful glass flowers by glass artists Leopold and Rudolf Blaschka in the Harvard Museum of Natural History in 1998. With a background as a collector of contemporary art, he immediately saw these objects' beauty, enigma and unusualness and intended initially to learn more about nature. The glass jellyfish, magic lantern slides with extinct animals and the stuffed toad he owns are works of art. His collection now consists of many objects of various materials: plaster, velvet, ivory, glass and paper. They are casts, minerals, illustrated books, prints, drawings and anatomical models.
New perspective
Artist Salvatore Arancio (Catania, Italy, 1974) is fascinated by nature and the human obsession to understand that nature. He chose 250 objects from Loudon's collection and combined them with sound, light, video, and his objects, placing them in a new perspective. This creates a mysterious and wonderful installation, a fascinating cross-pollination of art and science in the oldest museum in the Netherlands.
Surreal Science
The exhibition was on view in the autumn of 2018 at the Whitechapel Gallery in London. Thanks to a collaboration with Whitechapel, a second version of this exhibition can be seen from 17 February to 3 September in Teylers Museum in Haarlem.
Realistic Science can be seen in the Boekenkabinet from 21 January to 16 July. This exhibition uses books from the historical library of the Teylers Museum to show why scientific models and illustrations were so crucial for research and education in the 19th and early 20th centuries.
Dates and times
Tuesday 6 June | 10:00 |
Wednesday 7 June | 10:00 |
Thursday 8 June | 10:00 |