Creation through (de)construction. This paradoxical principle is the starting point for All Inclusive. We all know the recent images of iconoclasts in Iraq and Syria, where iconic heritage was demolished. What if such images of destruction, which we can’t forget, have become tools of strategic warfare? What if the museum has become an extension of the battlefield? In All Inclusive Julian Hetzel continues his critical research on warfare by making visible the aesthetization as well as the capitalisation of violence.