Asko|Schönberg & Wu Wei

An evening full of unusual sounds: In Wilbert Bulsink’s harp concerto, Miriam Overlach uses scouring sponges on her instrument; Czech composer Ondrej Adámek, who has a penchant for home-made instruments, has written a solo concerto for the Chinese multi-reed mouth organ sheng; Unsuk Chin from Korea creates a paradoxical combination of free improvisation and rigid structures in her work Fantaisie mécanique.