In Dear Clark, , Sara-Lena Maierhofer seeks rapprochement to a fraudster, a crook whose life consists of adopting and abandoning different identities. When she fails to arrange a meeting with the person in question, she decides to study him from a distance.
Step by step, the artist comes closer to getting to know her subject; his appearance, his peculiarities, his intentions. How can one construct a profile of someone who constantly readjusts himself? What characterises a man who systematically defies character? How do you grab someone who constantly aims to break away?