In Conjunto di Nero, literally 'the confluence of black', darkness and mist warp perception. The choreography plays with light and dark. It shakes our perception of depth, gravity and even sound. Visual boundaries fade, dancing bodies evaporate in the mist and seem to appear in a different dimension. Thus, the density of the air forms the line between the tangible and not tangible, between motion and stillness. 'By immersing the stage in various shades of black, by presenting dancers as shadows of themselves, Greco and Scholten open a dialogue between assumption and reality.' (The Herald)